Showing posts with label Selah Saterstrom. Show all posts
Showing posts with label Selah Saterstrom. Show all posts

Tuesday, July 22, 2008

Anne Waldman Doesn't Miss a Beat at Centrum

Tuesday July 15, 2008
Imagine Jake getting up before daybreak. Cup of tea in hand he steps out of his house onto the boulevard.
Awesome sight, darkness, light, daybreak. He makes his way across the sand to where the waves lick the beach ~~~~schwoosch~~~~schwoosch~~~~schwoosch.

After finishing Jake's factual biography I realized I missed too much information, but his story remains interesting. In 2006 I thought that was perhaps good enough a reason to take what I had and to create a fictional account… Write a novel or at least a short story, or a novella about his endeavors to become a professional artist.

Selah Saterstrom's book The Pink Institution (can't help it, keep on wanting to say Asylum) is an eye opener. What on earth is she doing? I wondered eyeing the white space, the omitted texts. And then I got it. If our personal memory is fragmented already, the past for sure is. History is fragmented, blank spots may appear when looking back. Selah knows how to glance in the mirror sideways to catch the moments of truth that propel the story of four generations of women forward. The cover tells you the book is a novel, and novel it is, with it's combination of poetry prose, poetry and prose, and thoughtful illustrations this small book is a gem of experimental writing.

Rebecca Brown's introductions of presenters are mini-lectures within themselves. Before Anne Waldman steps into the footlight Rebecca has taken us back three quarters of a century, the times when Memphis Minnie seduced the crowds with her country-blues sounds. She prepares us for the "s-witch" in Walman's work, for words treated as sacred creatures, for taking it all in "Without Stitching Closed the Eye of the Falcon" (audio).
Anne Waldman is an activist powerhouse, with a performance that must inspire the lot of us to stand up and deliver.

Monday, July 21, 2008

Lesley Hazleton has Crowd Travel in Time, Selah Saterstrom Transforms Real Life at Centrum

Sunday July 13, 2008 Thayer and Jordan welcome us and Rebecca's introduction of the first two speakers is a lecture in it self.
Selah Saterstrom's boy eats a bicycle and Lesley Hazleton's Jezebel wants to know where The Man is from and so she goes to his motherland. I'm sorry, but I'm really too tired from traveling and still baffled by home life securities (our neighbor Jage was killed) to give a better report.

We, the writers who opted for a residency, which would include room and board plus free admission to readings and lectures rather than attending a manuscript workshop, didn't get a name tag, nor the program booklet. All we've got to show that we're part of the conference is our meal ticket.

Thanks to a generous grant from the Washington Council of the Humanities readings and lectures will be free to everybody, not just conference attendants but also members of the community at large (the world so to speak).

Laurie Anderson repeats over and over in my mind: Nobody knows my name…
I make my own badge.